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Ten hareket eder, yaşlanır, değişir. Bu yüzden kompozisyonu kâğıtta değil, kolun büküldüğü ve düzeldiği hâllerde kuruyorum. Siyah-gri realizmde işi ayakta tutan şey detay değil, ton aralığının doğru kurulması: yıllar sonra da okunabilsin diye en açık ve en koyu değerler baştan planlanır.\n\nStüdyo dışında, 2017 tarihli “Vanishing Traces: Traditional Tattoos in Southeast Anatolia” etnografik çalışmasına illüstratör olarak katkı verdim; Güneydoğu Anadolu'nun kadim 'dek' ve 'dak' motiflerini belgeleyen bir araştırmaydı.","2026-03-03T21:15:17.395Z","2026-06-26T05:58:38.250Z","2026-06-26T05:58:38.276Z",[116],{"type":117,"children":118},"paragraph",[119],{"type":120,"text":121},"text","Ben Emre Can Duman. Antalya'da çalışıyorum, işim siyah-gri realizm. Yolum çizim ve anatomiyle başladı; Güzel Sanatlar Fakültesi'nde Grafik Tasarım okudum. Yıllarca medya ajanslarında sanat yönetmenliği yaptım, altı yıl önce profesyonel olarak dövmeye geçtim. Tasarım disiplinini sanatsal derinlikle birleştirip kişiye özel işler üretiyorum.","Çalışma Alanları",{"id":124,"documentId":125,"name":126,"alternativeText":127,"caption":51,"focalPoint":51,"width":128,"height":129,"formats":130,"hash":149,"ext":134,"mime":135,"size":150,"url":151,"previewUrl":51,"provider":152,"provider_metadata":51,"createdAt":153,"updatedAt":153,"publishedAt":154},18,"awyxr6b6ikts052pnfxhouw6","lion-cover-up.webp","Lion back piece — Emre Can Duman",521,617,{"thumbnail":131,"small":141},{"name":132,"hash":133,"ext":134,"mime":135,"path":51,"width":136,"height":137,"size":138,"sizeInBytes":139,"url":140},"thumbnail_studio.jpg","thumbnail_studio_0204fec9c0",".jpg","image/jpeg",132,156,6.02,6015,"/r2/large_ecd_healed-award_1.webp",{"name":142,"hash":143,"ext":134,"mime":135,"path":51,"width":144,"height":145,"size":146,"sizeInBytes":147,"url":148},"small_studio.jpg","small_studio_0204fec9c0",422,500,35.42,35415,"/r2/large_ecd_aztec-warrior_1.webp","studio_0204fec9c0",44.58,"/r2/large_ecd_lion-cover-up_1.webp","local","2026-03-04T16:23:54.932Z","2026-03-04T16:23:54.933Z",[156,160,164,168,172,176,180,184],{"id":157,"title":158,"description":159},410,"Siyah-Gri Realizm","Ana çalışma alanım. Fotoğraftan değil, ışıktan yola çıkarak kuruyorum: önce ton haritası, sonra detay. Tenin kendi rengi kompozisyonun bir parçası.",{"id":161,"title":162,"description":163},411,"Portre","Benzerlik detayda değil, birkaç kritik hatta durur: göz aralığı, burun ucu, ağız köşeleri. Bu hatlar doğruysa geri kalanı yerine oturuyor.",{"id":165,"title":166,"description":167},412,"Kapatma","Eski işin üzerine yeni bir kompozisyon. Belirleyici olan konu değil, koyu alanların nereye düşeceği; tasarım altta kalanı taşıyacak şekilde kurulur.",{"id":169,"title":170,"description":171},413,"Kol Projeleri","Birden fazla seansa yayılan, kolun tamamını tek bir kurguda toplayan işler. Parçalar tek tek değil, bütünün akışına göre planlanır.",{"id":173,"title":174,"description":175},414,"Geniş Yüzey","Sırt ve bacak gibi geniş alanlar. Kompozisyonun omurga eksenine göre dengelenmesi ve uzaktan da okunması gerekir.",{"id":177,"title":178,"description":179},415,"Mitoloji ve Heykel","Mermer ve heykel dokusu ten dokusundan farklı çalışır: mat yüzey, daha sert geçişler, göz bebeği yok. Bu fark bilinçli kurulur.",{"id":181,"title":182,"description":183},416,"Hayvan Portresi","Kısa tüylü ırklarda hatanın saklanacağı yer yok. 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Skin moves, ages and changes. That is why I build the composition on the arm as it bends and straightens, not on paper. In black and grey realism what holds a piece together is not detail but a correctly built tonal range: the lightest and darkest values are planned from the start so the work still reads years later.\n\nOutside the studio I contributed as an illustrator to the 2017 ethnographic study “Vanishing Traces: Traditional Tattoos in Southeast Anatolia”, documenting the ancient 'dek' and 'dak' motifs of southeastern Turkey.","2026-06-07T15:44:05.204Z","2026-06-09T05:26:21.562Z","2026-06-09T05:26:21.583Z",[346],{"type":117,"children":347},[348],{"type":120,"text":349},"I am Emre Can Duman. I work in Antalya, in black and grey realism. My path started with drawing and anatomy, and led me to a degree in Graphic Design from the Faculty of Fine Arts. 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